| 02:51 | 08/15/1941 | CCO 3950-2 | Elmer's Tune (Sammy Gallop, Elmer Albrecht, Dick Jurgens) |
Benny Goodman (ldr), John Hammond (pdr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Skip Martin, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell, Cootie Williams (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), John Simmons (b), Mel Powell (p), Sid Catlett (d), Peggy Lee (v)
NOTES:
Comments About This Issue. Columbia #36359 was Peggy Lee's debut on record. She is heard only on "Elmer's Tune"; the flip side is an instrumental. A photo of this shellac may be viewable here.
General Comment About This Discography's Singles Indexes. The first of three pages dedicated to listing Peggy Lee's singles, this index covers titles which came out on 78 only -- not on 45. All singles are listed chronologically by year of release. As for 78s whose date of release is unknown to me, they are relegated to the bottom of the page.
If you are searching for a particular USA 78 and do not find it herein, consult the second index as well. (The second index concentrates on singles which came out on both 78 and 45 configurations, rather than just on 78.) Also, bear in mind that some so-called 78 singles are instead pieces of 78 albums which, with the passing of time, became detached from their cardboard cover. As a result, they end up being unwittingly listed as singles even in specialized magazines and at record auctions. In this index, I have tried to include only authentic 78 singles, as opposed to units originally on 78 albums.
Non-American 78s have been included only when they do not have a USA counterpart. (By a "counterpart" single, I mean one with the exact same two masters. I have actually prepared separate pages for such foreign counterparts of American singles; consult this discography's Miscellanea section, here and here.) Finally, you will find notes under selected issues throughout this page; those notes are often replicated in the sessionography, sometimes in expanded versions.
| 02:42 | 08/20/1941 | CCO 3982-1 | I See A Million People (Una Mae Carlisle, Robert Sour) |
Benny Goodman (ldr), John Hammond (pdr), Bill Savory (eng), Eddie Sauter (arr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Skip Martin, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell, Cootie Williams (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), John Simmons (b), Mel Powell (p), Sid Catlett (d), Peggy Lee (v)
NOTES:
To see one side of this 78, click here. In his book Popular Songs Of The Twentieth Century: A Charted History, Edward Foote Gardner lists three versions of "I See A Million People" that, according to his research, received airplay in 1941. This 78's Benny Goodman-Peggy Lee number is among of them, and so is a Cab Calloway interpretation. However, Joel Whitburn's Pop Memories 1890-1954 lists only Calloway's performance as making the music airplay charts.
| 02:16 | 10/21/1941 | CO 31367-4 | Let's Do It (Cole Porter) |
Benny Goodman (ldr), Mel Powell (arr, p), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Clint Neagley, Jules "Julie" Schwartz (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier (d), Peggy Lee (v)
| 02:01 | 09/25/1941 | CO 31367-2 | Let's Do It (Cole Porter) |
Benny Goodman (ldr), Mel Powell (arr, p), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Skip Martin, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell, Cootie Williams (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Morty Stuhlmaker (b), Peggy Lee (v)
NOTES:
"Let's Do It" and the instrumental "The Earl" were originally issued not on Columbia per se but on Columbia's subsidiary Okeh. Benny Goodman discographer D. Russell Connor categorizes the creation of Okeh as Columbia's "strategical move to counter RCA's low-priced Bluebird releases." The Okeh 78 under discussion (Ok 6474) is the earliest Goodman single issued by the subsidiary.
According to Russell Connor, "Let's Do It" was also Peggy Lee's "first big hit" with The Benny Goodman Orchestra and "a must in her repertoire for years." The bio-discographer is referring to the popularity of the number among concertgoers, in particular. The number probably enjoyed very little radio airplay, due to the suggestive bent of the lyrics. Hence it is absent from contemporaneous music charts. In short, "Let's Do It" was Lee's unofficial first hit.
A peculiarity of Okeh #6474 is that it was pressed with two different takes of "Let's Do It." One pressing contains take #2, another take #4. The pressing which features take #2 was released first, then withdrawn and replaced with take #4 pressings. The presumed motivation for that withdrawal was the lack of an audible drummer in take #2. Goodman and/or Columbia might have objected to the company's issuing of the drumless take. (Notice also that, although Columbia's cataloguing system identifies these two performances of "Let's Do It" as takes from the same matrix, 31367, the so-called takes were actually recorded at different dates, rather than during the same session.)
A photo of a Okeh #6474, probably containing take #4, can be seen here.
| 03:14 | 10/02/1941 | CO 31391-1 | I Got It Bad And That Ain't Good (Duke Ellington, Paul Francis Webster) |
Benny Goodman (ldr), Eddie Sauter (arr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Skip Martin, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell, Cootie Williams (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Morty Stuhlmaker (b), Mel Powell (p), Sid Catlett (d), Peggy Lee (v)
NOTES:
Peggy Lee's string of 70 Billboard entries began with this 78's version of the Duke Ellington's "I Got It Bad." It was actually one of the very first recordings of this eventual standard. According to Joel Whitburn's estimates in his book Pop Memories, 1890-1954, Lee's first Billboard hit appeared in the charts during the week of November 15, 1941 and peaked at #25. Her string of chart hits lasted 33 years, ending with the 1974 Atlantic master "Let's Love."
To see a photo of 78 Co 36421, click here.
| 02:45 | 10/21/1941 | CO 31426-3 | Shady Lady Bird (Ralph Blane, Hugh Martin) |
Benny Goodman (ldr), Eddie Sauter (arr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Clint Neagley, Jules "Julie" Schwartz (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Mel Powell (p), Ralph Collier (d), Peggy Lee (v)
NOTES:
Columbia #36429 exists in two different pressings. This pressing contains take #3, whereas the other pressing features take #1. The two pressings can be told apart by inspecting the typeface used on the song's title. In one case, it is the standard size for Columbia's typeface; in the other case, it is a smaller typeface. There is some discrepancy as to which typeface accompanies which take. According to Benny Goodman discographer Russell Connor, take #1 shows the small typeface. However, music collector Mark Takasugi tells me that his copy of the 78, in small typeface, contains take #3, as "evidenced by the 3- imprinted in the dead wax directly across from the matrix number." Since I have not been able to inspect and listen to copies of this 78, I can offer no definite explanation for this discrepancy; I am wondering if the wax of the "small typeface" 78s wrongly identify the take as #3 -- and if close listening would reveal it to be take #1. Through a secondary source, Mark also learned that, according to Benny Goodman expert Dave Jessup, take #3 was issued first, whereas take #1 was a later, erroneous (and perhaps regional) release.
| 02:45 | 10/08/1941 | CO 31426-1 | Shady Lady Bird (Ralph Blane, Hugh Martin) |
Benny Goodman (ldr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Skip Martin, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell, Cootie Williams (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Mel Powell (p), Sid Catlett (d), Peggy Lee (v)
| 03:09 | 11/13/1941 | CO 31741-1 | Somebody Else Is Taking My Place (Bob Ellsworth, Dick Howard, Russ Morgan) |
| 02:29 | 11/13/1941 | CO 31744-1 | That Did It, Marie (Irene Higginbotham, Fred Meadows) |
Benny Goodman (ldr), Mel Powell (arr, p), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Clint Neagley, Jules "Julie" Schwartz (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier (d), Peggy Lee (v)
NOTES:
According to Joel Whitburn's estimates in his book Pop Memories, 1890-1954, "Somebody Else Is Taking My Place" topped the Billboard charts for three consecutive weeks. Released by Columbia on its budget imprint Okeh, the smash hit entered the charts during the week of March 7, 1942. It stayed for a total of 15 weeks. It was the fourth Peggy Lee vocal to make a dent in Billboard's charts, following "I Got It Bad" and two masters that were recorded after "Somebody Else Is Taking My Place" but released before. (Also, peceding "I Got It Bad" and all the other performances mentioned, there was also "Let's Do It," a popular number among concertgoers, though not a chart hit.)
Years after its 15 aforementioned weeks in the chart, "Somebody Else Is Taking My Place" managed the feat of re-entering them in the form of a new 78 single. Look below for a 1948 Columbia single which pairs this song with "Why Don't You Do Right?".
| 03:00 | 11/27/1941 | CO 31811-1 | Winter Weather (Ted Shapiro) |
| 03:05 | 11/27/1941 | CO 31812-2 | Ev'rything I Love (Cole Porter) |
Benny Goodman (ldr), Mel Powell (arr, p), Eddie Sauter (arr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Sol Kane, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Al Davis, Joe Ferrante, Jimmy Maxwell (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier (d), Peggy Lee, Art London aka Art Lund (v)
NOTES:
This 78 actually exists in two pressings. Shown in this entry and in this link is the official pressing, which pairs "Winter Weather" with "Ev'rything I Love." The other version of the 78 pairs "Winter Weather" with a vocal by Tommy Tucker ("I Don't Want To Walk Without You"); its release is deemed to have been an error on the part of Columbia's brass.
There is some discrepancy as to the year in which Okeh #6516 was released, 1941 or 1942. I have tentatively assigned it a 1941 date because it was reviewed in the January 3, 1942 issue of Billboard magazine. (I am assuming that, by the time of the magazine's publication date, the 78 had been out at least for a few days.)
According to Joel Whitburn, the Goodman-Lee-Lund version of "Winter Weather" made its debut in the charts during the week of January 10, 1942 and peaked at #24.
| 03:00 | 11/27/1941 | CO 31811-1 | Winter Weather (Ted Shapiro) |
Benny Goodman (ldr), Mel Powell (arr, p), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Sol Kane, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Al Davis, Joe Ferrante, Jimmy Maxwell (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier (d), Peggy Lee, Art London aka Art Lund (v)
| 03:16 | 11/13/1941 | CO 31743-2 | How Long Has This Been Going On? (George Gershwin, Ira Gershwin) |
Benny Goodman (ldr), Mel Powell (arr, p), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Clint Neagley, Jules "Julie" Schwartz (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier (d), Peggy Lee (v)
NOTES:
The 1942 release date that I have assigned to this 78 is based on the fact that Billboard magazine reviewed it in its January 24, 1942 issue.
| 03:15 | 12/24/1941 | CO 32051-1 | Blues In The Night (Harold Arlen, Johnny Mercer) |
| 03:21 | 12/24/1941 | CO 32052-1 | Where Or When (Lorenz Hart, Richard Rodgers) |
Benny Goodman (ldr), {Head Arrangement}, Eddie Sauter (arr), Mel Powell (arr, p, cel), The Benny Goodman Sextet (acc), Benny Goodman (cl), Cutty Cutshall (tb), Lou McGarity (tb, v), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier (d), Peggy Lee (v)
NOTES:
In his book Pop Memories 1890-1954, Joel Whitburn identifies "Blues In The Night" as Peggy Lee's third chart hit. After entering the charts during the week of February 14, 1942, it peaked at #20. For a look at the "Blues In The Night" side of Ok 6553, click here.
| 03:20 | 11/13/1941 | CO 31742-1 | Somebody Nobody Loves (Seymour Miller) |
Benny Goodman (ldr), Eddie Sauter (arr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Clint Neagley, Jules "Julie" Schwartz (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Mel Powell (p), Ralph Collier (d), Peggy Lee (v)
| 03:17 | 01/15/1942 | CO 32239-1 | The Lamp Of Memory (Incertidumbre) (Gonzalo Curiel, Al Stillman) |
Benny Goodman (ldr), Eddie Sauter (arr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Sol Kane, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Al Davis, Jimmy Maxwell, Bernie Privin (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Mel Powell (p), Ralph Collier (d), Peggy Lee (v)
NOTES:
The "Lamp Of Memory" side of this 78 should be viewable here.
| 03:17 | 02/05/1942 | CO 32384-1 | My Little Cousin (Eli Basse, Sam Braverman, Cy Coben, Happy Lewis) |
Benny Goodman (ldr), Mel Powell (arr, p), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Sol Kane, Clint Neagley (as), George Berg, Vido Musso (ts), Art Ralston (bar), Al Davis, Jimmy Maxwell, Bernie Privin (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier (d), Peggy Lee (v)
NOTES:
Both sides of this 78 can be seen here. "My Little Cousin" was Peggy Lee's fifth chart hit. After making its debut during the week of April 11, 1942, it went on to peak at #14. Joel Whitburn's Pop Memories 1890-1954 does not list any other charting versions of the song.
| 03:17 | 03/12/1942 | CO 32602-1 | We'll Meet Again (Hugh Charles, Ross Parker Clarke) |
Benny Goodman (ldr), Mel Powell (arr, p), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Sol Kane, Bud Shiffman (as), George Berg, Vido Musso (ts), Art Ralston (bar), Jimmy Maxwell, John Napton, Bernie Privin (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier (d), Peggy Lee (v)
NOTES:
A popular warhorse, "We'll Meet Again" enjoyed a fair number of hit versions. According to Joel Whitburn's estimates in his book Pop Memories, 1890-1954, the version by Goodman and Lee made its debut during the week of May 23, 1942 and was the highest-charting of them all, peaking at #16.
| 03:18 | 12/10/1941 | CO 31944-1 | Not Mine (Johnny Mercer, Victor Schertzinger) |
| 03:04 | 01/15/1942 | CO 32240-1 | If You Build A Better Mousetrap (Johnny Mercer, Victor Schertzinger) |
Benny Goodman (ldr), Eddie Sauter (arr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Sol Kane, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Al Davis, Jimmy Maxwell, Bernie Privin (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Mel Powell (p), Ralph Collier (d), Peggy Lee, Art London aka Art Lund (v)
NOTES:
For a look at one side of this 78, click here.
| 03:00 | 03/12/1942 | CO 32601-1 | I Threw A Kiss In The Ocean (Irving Berlin) |
| 03:17 | 03/12/1942 | CO 32603-1 | Full Moon (Noche De Luna) (Gonzalo Curiel, Marcelen Odette, Bob Russell) |
Benny Goodman (ldr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Sol Kane, Bud Shiffman (as), George Berg, Vido Musso (ts), Art Ralston (bar), Jimmy Maxwell, John Napton, Bernie Privin (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Mel Powell (p), Ralph Collier (d), Peggy Lee (v)
NOTES:
"Full Moon" made its chart debut during the week of June 13, 1942. It peaked at #22.
| 03:00 | 03/12/1942 | CO 32601-1 | I Threw A Kiss In The Ocean (Irving Berlin) |
| 03:17 | 03/12/1942 | CO 32603-1 | Full Moon (Noche De Luna) (Gonzalo Curiel, Marcelen Odette, Bob Russell) |
Benny Goodman (ldr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Sol Kane, Bud Shiffman (as), George Berg, Vido Musso (ts), Art Ralston (bar), Jimmy Maxwell, John Napton, Bernie Privin (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Mel Powell (p), Ralph Collier (d), Peggy Lee (v)
NOTES:
Curiously, Columbia released this single on both its main line and its budget line (Okeh). See the Okeh entry right above this one.
| 03:21 | 03/10/1942 | CO 32595-1 | The Way You Look Tonight (Dorothy Fields, Jerome Kern) |
Benny Goodman (ldr), {Head Arrangement} (arr), Mel Powell (arr, p, cel), The Benny Goodman Sextet (acc), Benny Goodman (cl), Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier (d), Peggy Lee (v)
NOTES:
Peggy Lee and The Benny Goodman Sextet's version of the oft-recorded standard "The Way You Look Tonight" brought the tune back to the charts six years after the initial batch of hit versions. Their version made its debut during the week of June 27, 1942, peaking at #21.
| 03:11 | 12/24/1941 | CO 32053-1 | On The Sunny Side Of The Street (Dorothy Fields, Jimmy McHugh) |
| 03:22 | 05/14/1942 | CO 32794-1 | All I Need Is You (Benny Davis, Peter DeRose, Mitchell Parish) |
Benny Goodman (ldr), {Head Arrangement}, Dave Matthews (arr), Mel Powell (arr, p), The Benny Goodman Orchestra, The Benny Goodman Sextet (acc), Benny Goodman (cl), Sol Kane, Bud Shiffman (as), George Berg, Vido Musso (ts), Art Ralston (bar), Jimmy Maxwell, John Napton, Bernie Privin (t), Charlie Castaldo, Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier, Alvin Stoller (d), Peggy Lee (v)
| 03:12 | 07/27/1942 | CO 33048-1 | Why Don't You Do Right? (Joe McCoy) |
Benny Goodman (ldr), Mel Powell (arr, p), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Clint Neagley, Hymie Schertzer (as), Leonard Sims, Jon Walton (ts), Robert Poland (bar), Benny Baker, Tony Faso, Jimmy Maxwell, Lawrence Stearns, aka Alfred Sculco (t), Charlie Castaldo, Lou McGarity (tb), Dave Barbour (g), Cliff Hill (b), Howard "Hud" Davies (d), Peggy Lee (v)
NOTES:
The "Why Don't You Do Right?" side of this 78 should be viewable here. The Billboard debut of "Why Don't You Do Right?" took place during the week of January 2, 1943. According to Joel Whitburn's Pop Memories, 1890-1954, the Goodman-and-Lee recording peaked at #4 and spent a total of 19 weeks in the charts.
| 03:08 | 10/02/1941 | CO 31392-1 | My Old Flame (Sam Coslow, Arthur Johnston) |
| 03:04 | 10/08/1941 | CO 31363-3 | How Deep Is The Ocean? (Irving Berlin) |
Benny Goodman (ldr), Eddie Sauter (arr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Skip Martin, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell, Cootie Williams (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), Morty Stuhlmaker, Sid Weiss (b), Mel Powell (p), Sid Catlett (d), Peggy Lee (v)
NOTES:
According to Joel Whitburn's estimates in his book Pop Memories, 1890-1954, this version of "How Deep Is The Ocean?" appeared in the charts during the week of October 6, 1945 and peaked at #19. Released a couple of years after Lee had left the bandleader's fold, it belatedly became her 10th charting success as Goodman's canary.
The label on the "My Old Flame" side of this 78 suffers from an oversight: Peggy Lee's name is not given at all.
| 02:43 | 12/27/1944 | 541-2 | What More Can A Woman Do (Dave Barbour, Peggy Lee) |
| 02:26 | 12/27/1944 | 543-2 | You Was Right, Baby (Dave Barbour, Peggy Lee) |
Peggy Lee (ldr), Henry J. "Heinie" Beau (arr, cl), Dave Barbour And His Orchestra (acc), Harold Lawson, Maury Stein (cl), Billy May (t), Dave Barbour (g), Artie Shapiro (b), Milt Raskin (p), Nick Fatool (d), Peggy Lee (v)
NOTES:
Both sides of this 78 should be viewable here. Both sides received airplay but Joel Whitburn's books do not list either tune as a charting hit.
| 03:04 | 07/30/1945 | 739-3 | Waiting For The Train To Come In (Sunny Skylar, Martin Block) |
| 02:36 | 07/30/1945 | 740-3 | I'm Glad I Waited For You (Sammy Cahn, Jule Styne) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour And His Orchestra (acc), Unknown (sax, cl, b, p), Dave Barbour (g), Peggy Lee (v)
NOTES:
Both sides of this 78 should be viewable here. "Waiting For The Train To Come In" entered the charts during the week of November 10, 1945 and stayed for 14 weeks. It peaked at #4. The flip side of Capitol #218 also charted. "I'm Glad I Waited For You" appeared on the chart during the week of March 30, 1946, and peaked at #24.
| 02:58 | 12/26/1945 | 886-3 | I Can See It Your Way, Baby (Inez James, Sidney Miller) |
| 03:23 | 12/26/1945 | 887-2 | I Don't Know Enough About You (Dave Barbour, Peggy Lee) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau and/or Billy May (arr), Dave Barbour All-Stars (acc), Unknown (sax, cl, b, p), Dave Barbour (g), Peggy Lee (v)
NOTES:
The "I Don't Know Enough About You" side of this 78 can be seen here. The number, co-written by Lee herself, made its debut in the music charts during the week of May 25, 1946 and went on to peak at #7.
| 03:07 | 04/11/1946 | 1077-4 | Linger In My Arms A Little Longer (Herb Magidson) |
| 03:08 | 04/11/1946 | 1078-5 | Baby, You Can Count On Me (Freddie Stewart) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour And His Orchestra (acc), Unknown (cl, tb, b, p, d), Dave Barbour (g), Peggy Lee (v)
NOTES:
Both sides of this 78 should be viewable here. "Linger In My Arms A Little Longer" entered the charts during the week of September 28, 1946. According to Joel Whitburn's estimates in Pop Memories, 1890-1954, it peaked at #16.
| 03:00 | 07/23/1946 | 1211-4 | It's All Over Now (Don Marcotte, Sunny Skylar) |
| 02:58 | 07/23/1946 | 1212-2 | Aren't You Kind Of Glad We Did? (George Gershwin, Ira Gershwin) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr, cl), Dave Barbour And His Orchestra (acc), Unknown (cl, t, tb, b, p, d), Dave Barbour (g), Peggy Lee (v)
| 02:53 | 07/12/1946 | 1199-4 | It's A Good Day (Dave Barbour, Peggy Lee) |
| 03:05 | 09/23/1946 | 1226-6 | He's Just My Kind (Floyd Huddleston, Mark McIntyre) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr, cl), Dave Barbour And His Orchestra (acc), Unknown (sax, t, tb, g, b, p, d), Herbert "Herbie" Haymer (ts), Robert "Bob" Lawson (bar), Ray Linn (t), Ed Kusby aka Edward Kuczborski, Carl Loeffler, Elmer Smithers, Si Zentner (tb), Dave Barbour (g), Edwin "Buddy" Cole (b, p), Phil Stephens (b), Nick Fatool (d), Reynold Johnson (unk), Peggy Lee (v)
NOTES:
One side of this 78 can be seen here. Joel Whitburn's tabulations in his book Pop Memories, 1890-1954 show "It's A Good Day" as peaking at #16 after entering the Billboard charts on January 18, 1947. (Whitburn's estimates notwithstanding, the proven popularity of this recording strongly suggests that it must have cracked the top 10, at the very least. At any rate, "It's A Good Day" was played and covered often in radio shows of the time, and thereafter it remained current for decades -- not only on radio but also on records and TV variety shows.)
| 02:48 | 11/22/1946 | 1530-5 | It's Lovin' Time (Harry Harris, J. Chalmers "Chummy" MacGregor) |
| 02:57 | 11/22/1946 | 1531-5 | Everything's Movin' Too Fast (Dave Barbour, Peggy Lee) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr, cl, as), Dave Barbour (con, g), Dave Barbour And His Orchestra (acc), Dave Cavanaugh (ts), Chuck Gentry (bar), Red Nichols (c), Bill Davis (b), Tommy Linehan (p), Nick Fatool (d), Peggy Lee (v)
NOTES:
After entering the Billboard charts during the week of February 8, 1947, "Everythin's Moving Too Fast" became the third song composed by the Barbour-Lee team that climbed the music charts. It peaked at #21.
| 03:11 | 12/24/1941 | CO 32053-1 | On The Sunny Side Of The Street (Dorothy Fields, Jimmy McHugh) |
Benny Goodman (ldr), {Head Arrangement} (arr), Mel Powell (arr, p), The Benny Goodman Sextet (acc), Benny Goodman (cl), Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier (d), Peggy Lee (v)
| 02:23 | 01/29/1947 | 1613-5 | Swing Low, Sweet Chariot (Traditional) |
| 02:48 | 01/29/1947 | 1614-5 | Speaking Of Angels (George David Weiss, Bennie Benjamin) |
Peggy Lee (ldr), Lee Gillette (pdr), Dave Barbour (arr, g), Henry J. "Heinie" Beau (arr), Peggy Lee (arr, v), Dave Barbour And His Orchestra (acc), Unknown (sax, t, tb), Phil Stephens (b), Edwin "Buddy" Cole (p), Tommy Romersa (d)
NOTES:
Both sides of this 78 should be viewable here.
| 02:41 | 04/21/1947 | 1853-4 | Aintcha Ever Comin' Back? (Axel Stordahl, Irving Taylor, Paul Weston) |
| 02:59 | 04/21/1947 | 1854-3 | Chi-Baba, Chi-Baba (My Bambino, Go To Sleep) (Al Hoffman, Mack David, Jerry Livingston) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour And His Orchestra (acc), Other Individuals Unknown (unk), Peggy Lee (v)
NOTES:
Fully treated as a novelty by other artists, "Chi-Baba, Chi-Baba" received more of a lullaby treatment from Peggy Lee. Her version entered the music charts during the week of June 28, 1947 and reached #10.
| 03:06 | 07/03/1947 | 2106-3 | It Takes A Long, Long Train With A Red Caboose (Lawrence W. Markes, Jr., Dick Charles) |
| 03:14 | 07/03/1947 | 2107-3 | Just An Old Love Of Mine (Dave Barbour, Peggy Lee) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour All-Stars (acc), Unknown (sax, g, b, p, cel), Ray Linn (t), Peggy Lee (v)
NOTES:
One side of this 78 should be viewable here.
| 03:12 | 07/15/1946 | 1203-1-A | A Nightingale Can Sing The Blues (Dick Charles, Lawrence W. Markes, Jr.) |
| 03:08 | 08/14/1947 | 2162-4 | There'll Be Some Changes Made (Billy Higgins, William Benton Overstreet) |
Peggy Lee (ldr), Lee Gillette (pdr), John Palladino (eng), Frank DeVol (arr, con), Frank Devol and His Orchestra (acc), Skeets Herfurt aka Arthur Herfurt, Jerome Kasper, Jules Kinsler, Ron Perry, Ted Romersa (r), Abe Benike, Uan Rasey, Irv Shulkin (t), George Faye, Si Zentner (tb), Dave Barbour (g), Phil Stephens (b), Edwin "Buddy" Cole (p), June Weiland (hrp), Tommy Romersa (d), Victor Arno, Joseph Livoti, Joseph Quadri, Henry Sugar (vn), Jacob Kaz, Paul Lowenkron (vl), Fred Goerner, Joseph Saxon, Julius Tannenbaum (vc), Other Individuals Unknown (unk), Peggy Lee (v)
| 03:10 | September 12, 1947 | 2247-4 | The Freedom Train (Irving Berlin) |
Lee Gillette (pdr), Paul Weston And His Orchestra (acc), Leonard "Lenny" Hartman, Herbert "Herbie" Haymer, Herbert "Happy" Lawson, Julian "Matty" Matlock, Fred Stulce (r), Benny Goodman (cl), Charles Griffard, George Seaberg, Ray Woods (t), Bill Schaefer, Elmer Smithers, Allan "Al" Thompson (tb), George Van Eps (g), John "Jack?" Ryan (b), Milt Raskin (p), Nick Fatool (d), Peggy Lee, Johnny Mercer, The Pied Pipers, Margaret Whiting (v), Hal Hopper As Member Of The Pied Pipers, June Hutton As Member Of The Pied Pipers, Chuck Lowry As Member Of The Pied Pipers, Clark Yocum As Member Of The Pied Pipers (bkv)
| 03:00 | 09/23/1947 | 2270-4 | I'll Dance At Your Wedding (Herb Magidson, Ben Oakland) |
| 03:00 | 09/24/1947 | 2278-3 | Golden Earrings (Ray Evans, Victor Popular Young, Jay Livingston) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour And His Orchestra (acc), Unknown (f, t, b, str, p, d), Dave Barbour (g), Peggy Lee (v)
NOTES:
Both sides of Capitol #15009 entered the charts. According to Joel Whitburn's Pop Memories, 1890-1954, "Golden Earrings" peaked at #2 and stayed in the Billboard charts for 18 weeks. "I'll Dance At Your Wedding" entered the Billboard charts during the week of December 20 and peaked at #11. The "Golden Earrings" side of this 78 should be viewable here.
| 03:04 | 10/13/1947 | 2343-5 | Ja-Da (Bob Carleton) |
| 03:04 | 10/13/1947 | 2344-4 | Three-Thirty Jump (Felis Domestica) |
Lee Gillette (pdr), Paul Weston (cl), Eddie Miller (as), Benny Carter (ts), Dave Cavanaugh (bar), Dave Barbour (t), Billy May, Bobby Sherwood (tb), Hal Derwin (g), Frank DeVol (b), Red Norvo (p), Peggy Lee (d)
NOTES:
Peggy Lee (aka the Mouse) plays drums in this single's two instrumentals, which otherwise featured musicians (aka the Ten Cats) playing instruments other than the one for which each was best known.
| 03:11 | 12/24/1941 | CO 32053-1 | On The Sunny Side Of The Street (Dorothy Fields, Jimmy McHugh) |
Benny Goodman (ldr), {Head Arrangement} (arr), Mel Powell (arr, p), The Benny Goodman Sextet (acc), Benny Goodman (cl), Lou McGarity (tb), Tom "Tommy" Morgan (g), Sid Weiss (b), Ralph Collier (d), Peggy Lee (v)
| 02:45 | 11/25/1947 | 2609-4 | Mañana (Dave Barbour, Peggy Lee) |
| 02:30 | 11/26/1947 | 2622-3 | All Dressed Up With A Broken Heart (Jack Val, Fred Patrick, Claude Reese) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour (con, g), Dave Barbour And His Orchestra, Dave Barbour And The Brazilians (acc), Unknown (f), Peggy Lee (v)
NOTES:
The "Mañana" side of this 78 should be viewable here.
"Mañana" made its chart debut during the week of January 24, 1948 and was the first of Peggy Lee's 9 chart entries for that year. It was also one of the top hits of 1948 and one of the year's million sellers -- a 2.5 million seller, according to uncorroborated press reports from the period. As tabulated by Joel Whitburn in Pop Memories 1890-1954, the song is shown as remaining for nine weeks in the #1 position and for twenty-one weeks in the Billboard charts. Billboard also named it Top Disc Jockey Record Of The Year.
Both sides of Capitol #15022 charted. "All Dressed Up With A Broken Heart" made its debut during the week of January 31, 1948 and peaked at #21.
In its British counterpart version (Capitol Cl 13001), this 78 became the first single ever released by Capitol in England.
| 02:46 | 12/02/1947 | 2723-2 | For Every Man There's A Woman (Harold Arlen, Leo Robin) |
Benny Goodman (ldr), Lee Gillette (pdr), Mel Powell (arr, p), Benny Goodman (con, cl), The Benny Goodman Orchestra (acc), Jack Dumont, Paul McLarand (as), Bumps Myers (ts), Chuck Gentry (bar), John Best (t), Sinclair Lott (frh), Al Hendrickson (g), Artie Shapiro (b), Red Norvo (vib), Tommy Romersa (d), Louis Kievman (vl), Peggy Lee (v)
NOTES:
This collaboration between Peggy Lee and her former boss Benny Goodman became the singer's 13th hit for Capitol Records. It debuted in the Billboard charts during the week of February 28 and reached #25. "For Every Man There's A Woman" also added to the string of hits that Goodman and Lee had had together (all previous nine on Columbia Records).
| 02:51 | 11/12/1947 | 2457-3 | Talkin' To Myself About You (Axel Stordahl, Irving Taylor, Paul Weston) |
| 02:33 | 11/25/1947 | 2608-5 | Laroo Laroo Lilli Bolero (Sylvia Dee, Sidney Lippman, Elizabeth Moore) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr, cl), Dave Barbour (con, g), Dave Barbour And His Orchestra, Dave Barbour And The Brazilians (acc), Unknown (f, tb), Benny Carter (as), Herbert "Herbie" Haymer (ts), Ray Linn, Rubin "Zeke" Zarchy (t), George "Red" Callender (b), Edwin "Buddy" Cole (p), Red Norvo (vib), Nick Fatool (d), Peggy Lee (v)
NOTES:
"Laroo Lilli Bolero" entered Billboard's charts during the week of April 3, 1948. It peaked at #14. "Talking To Myself About You" made its appearance on the week of April 17, 1948 and peaked at #23.
| 03:09 | 11/13/1941 | CO 31741-1 | Somebody Else Is Taking My Place (Bob Ellsworth, Dick Howard, Russ Morgan) |
| 03:12 | 07/27/1942 | CO 33048-1 | Why Don't You Do Right? (Joe McCoy) |
Benny Goodman (ldr), Mel Powell (arr, p), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Clint Neagley, Hymie Schertzer, Jules "Julie" Schwartz (as), George Berg, Vido Musso, Leonard Sims, Jon Walton (ts), Chuck Gentry, Robert Poland (bar), Benny Baker, Billy Butterfield, Al Davis, Tony Faso, Jimmy Maxwell, Lawrence Stearns, aka Alfred Sculco (t), Charlie Castaldo, Cutty Cutshall, Lou McGarity (tb), Dave Barbour, Tom "Tommy" Morgan (g), Cliff Hill, Sid Weiss (b), Ralph Collier, Howard "Hud" Davies (d), Peggy Lee (v)
NOTES:
This 78 reissued Lee's two most popular numbers from her years as a canary with Benny Goodman. One of the factors that probably triggered Columbia to re-release these performances was the success that Capitol had had, a few months earlier, with the Goodman-Lee track "For Every Man There's A Woman" (Capitol #15030).
On this second round, the former #1 hit "Somebody Else Is Taking My Place" peaked at #30 after making its return on the music charts during the week of June 19, 1948 (according, once again, to Whitburn's estimates). Both sides of the 78 should be viewable here.
"Somebody Else Is Taking My Place" thus holds the distinction of being not only Lee and Goodman's only #1 hit collaboration but also their final joint chart entry.
| 03:00 | 11/20/1947 | 2559-3 | Baby, Don't Be Mad At Me (Mack David, Ticker Freeman) |
| 02:46 | 11/25/1947 | 2607-4 | Caramba! It's The Samba (Irving Taylor, Edward Pola, George Wyle) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour (con, g), Dave Barbour And His Orchestra, Dave Barbour And The Brazilians (acc), Unknown (f, b, d), Benny Carter (as), Herbert "Herbie" Haymer (ts), Edwin "Buddy" Cole (p), Red Norvo (vib), Peggy Lee (v)
NOTES:
This double-charting single entered the charts on the week of June 5, 1948. "Baby Don't Be Mad At Me" peaked at #21, "Caramba! It's the Samba" at #13. The "Caramba! It's the Samba" side can be seen here.
| 02:28 | 11/19/1947 | 2493-3 | Why Don't You Do Right? (Joe McCoy) |
| 03:01 | December 2, 1947 | 2727-2 | Bubble-loo, Bubble-loo (Hoagy Carmichael, Paul Francis Webster) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau, Billy May (arr), Dave Barbour And His Orchestra (acc), Unknown (sax, f, o, g, b, str, p, d), Other Individuals Unknown (unk), Peggy Lee (v)
| 03:13 | 11/20/1947 | 2560-2 | Everybody Loves Somebody (Ken Lane, Irving Taylor) |
| 03:09 | December 2, 1947 | 2728-4 | Don't Smoke In Bed (Willard Robison, Dave Barbour, Peggy Lee) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau, Harold "Hal" Mooney (arr), Dave Barbour And His Orchestra (acc), Unknown (sax, f, o, g, b, str, p, d), Benny Carter (as), Herbert "Herbie" Haymer (ts), Dave Barbour (g), Edwin "Buddy" Cole (p), Red Norvo (vib), Peggy Lee (v)
| 03:07 | December 2, 1947 | 2725-3 | Just A Shade On The Blue Side (Hoagy Carmichael, Harold Adamson) |
| 03:00 | 10/17/1946 | 1240-4 | Don't Be So Mean To Baby (Dave Barbour, Peggy Lee) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour And His Orchestra (acc), Unknown (sax, f, o, g, b, str, p, d), Peggy Lee (v)
| 03:04 | 11/26/1947 | 2621-3 | So Dear To My Heart (Irving Taylor, Ticker Freeman) |
| 03:11 | December 2, 1947 | 2726-3 | Love, Your (Magic) Spell Is Everywhere (Edmund Goulding, Elsie Janis) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour And His Orchestra (acc), Unknown (sax, f, o, g, b, str, p, d), Peggy Lee (v)
NOTES:
A movie themes single. Both sides should be viewable www.discoogle.com/wiki/Lee%2C_Peggy_-_So_Dear_To_My_Heart_%28Us%2C1948%2C15232%2CSINGLE_10%29.
| 02:26 | 12/27/1944 | 543-2 | You Was Right, Baby (Dave Barbour, Peggy Lee) |
| 02:53 | 07/12/1946 | 1199-4 | It's A Good Day (Dave Barbour, Peggy Lee) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr, cl), Dave Barbour And His Orchestra (acc), Harold Lawson, Maury Stein (cl), Herbert "Herbie" Haymer (ts), Robert "Bob" Lawson (bar), Ray Linn, Billy May (t), Ed Kusby aka Edward Kuczborski, Carl Loeffler, Elmer Smithers, Si Zentner (tb), Dave Barbour (g), Edwin "Buddy" Cole (b, p), Artie Shapiro, Phil Stephens (b), Milt Raskin (p), Nick Fatool (d), Reynold Johnson (unk), Peggy Lee (v)
| 03:03 | 11/19/1947 | 2495-4 | Hold Me (Little Jack Little, Dave Oppenheim, Ira Schuster) |
| 02:40 | 12/26/1947 | 3085-3 | I Wanna Go Where You Go (Then I'll Be Happy) (Lew Brown, Sidney Clare, Cliff Friend) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour And His Orchestra (acc), Unknown (str), Peggy Lee (v)
NOTES:
Both sides of the shellac should be viewable here. Below is Decca's trade ad.
| 02:46 | 12/02/1947 | 2723-2 | For Every Man There's A Woman (Harold Arlen, Leo Robin) |
Benny Goodman (ldr), Lee Gillette (pdr), Mel Powell (arr, p), Benny Goodman (con, cl), The Benny Goodman Orchestra (acc), Jack Dumont, Paul McLarand (as), Bumps Myers (ts), Chuck Gentry (bar), John Best (t), Sinclair Lott (frh), Al Hendrickson (g), Artie Shapiro (b), Red Norvo (vib), Tommy Romersa (d), Louis Kievman (vl), Peggy Lee (v)
NOTES:
Capitol Cl 13003 was part of the first batch of Capitol 78s ever issued in England.
| 03:13 | 11/20/1947 | 2560-2 | Everybody Loves Somebody (Ken Lane, Irving Taylor) |
| 03:00 | 11/20/1947 | 2559-3 | Baby, Don't Be Mad At Me (Mack David, Ticker Freeman) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour And His Orchestra (acc), Benny Carter (as), Herbert "Herbie" Haymer (ts), Dave Barbour (g), Unknown (b, d), Edwin "Buddy" Cole (p), Red Norvo (vib), Peggy Lee (v)
| 02:07 | 12/14/1948 | 3566-2 | Someone Like You (Ralph Blane, Harry Warren) |
| 02:46 | 12/14/1948 | 3587-4 | You Was (Joseph F. "Sonny" Burke, Paul Francis Webster) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau, Sonny Burke (arr), Unknown (acc), Peggy Lee, Dean Martin (v)
| 03:15 | 12/24/1941 | CO 32051-1 | Blues In The Night (Harold Arlen, Johnny Mercer) |
Benny Goodman (ldr), Eddie Sauter (arr), The Benny Goodman Sextet (acc), Benny Goodman (cl), Cutty Cutshall (tb), Lou McGarity (tb, v), Tom "Tommy" Morgan (g), Sid Weiss (b), Mel Powell (p), Ralph Collier (d), Peggy Lee (v)
NOTES:
In 1949, this issue was issued by Columbia in both its main and its budget line, Harmony.
| 03:10 | 12/29/1948 | 3825-3 | If You Could See Me Now (Carl Sigman, Tadd Dameron) |
| 02:31 | 12/29/1948 | 3826-3 | Blum Blum (I Wonder Who I Am) (Dave Barbour, Peggy Lee) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Peggy Lee and Her Dixieland Band (acc), Unknown (t, tb, b, p, d), Dave Barbour (g), Peggy Lee (v)
NOTES:
Peggy Lee's "Blum Blum" entered the Billboard charts during the week of July 3, 1949 and peaked at #27.
| 03:09 | December 2, 1947 | 2728-4 | Don't Smoke In Bed (Willard Robison, Dave Barbour, Peggy Lee) |
| 03:06 | 07/03/1947 | 2106-3 | It Takes A Long, Long Train With A Red Caboose (Lawrence W. Markes, Jr., Dick Charles) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau, Harold "Hal" Mooney (arr), Dave Barbour All-Stars, Dave Barbour And His Orchestra (acc), Unknown (sax, f, o, g, b, str, p, cel, d), Ray Linn (t), Peggy Lee (v)
| 03:19 | 11/27/1947 | 2624-1 | While We're Young (William Engvick, Morty Palitz, Alec Wilder) |
| 02:23 | 02/08/1949 | 3953-6 | Similau (See-me-lo) (Arden Clar, Harry Coleman, Leopoldo González) |
Dave Barbour, Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr, cl, ts), Dave Barbour And His Orchestra, Dave Barbour's Afro Cubans (acc), Ray Linn (t), Dave Barbour, George Van Eps (g), Phil Stevens (b), Hal Schaefer (p), Nick Fatool, Iván López, Jackie Mills, Tommy Romersa (d), Peggy Lee (v)
NOTES:
"Similau" entered the charts during the week of April 23, 1949 and peaked at #17.
| 02:46 | 12/14/1948 | 3587-4 | You Was (Joseph F. "Sonny" Burke, Paul Francis Webster) |
Peggy Lee (ldr), Lee Gillette (pdr), Sonny Burke (arr), Unknown (acc), Peggy Lee, Dean Martin (v)
| 02:23 | 02/08/1949 | 3953-6 | Similau (See-me-lo) (Arden Clar, Harry Coleman, Leopoldo González) |
| 02:41 | 04/18/1949 | 4215-5 | (Ghost) Riders In The Sky (A Cowboy Legend) (Stan Jones) |
Dave Barbour, Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr, cl, ts), Dave Barbour All-Stars, Dave Barbour's Afro Cubans (acc), Ray Linn (t), Dave Barbour, George Van Eps (g), Phil Stevens (b), Nick Fatool, Iván López, Jackie Mills, Tommy Romersa (d), Peggy Lee (v), The Jud Conlon Singers (bkv)
| 03:15 | 12/24/1941 | CO 32051-1 | Blues In The Night (Harold Arlen, Johnny Mercer) |
Benny Goodman (ldr), Eddie Sauter (arr), The Benny Goodman Sextet (acc), Benny Goodman (cl), Cutty Cutshall (tb), Lou McGarity (tb, v), Tom "Tommy" Morgan (g), Sid Weiss (b), Mel Powell (p), Ralph Collier (d), Peggy Lee (v)
NOTES:
In 1949, this issue was issued by Columbia in both its main and its budget line, Harmony ("the 49 cent record manufactured and recorded by Columbia Records ... exclusively distributed by Varsity Records").
| 02:57 | 11/22/1946 | 1531-5 | Everything's Movin' Too Fast (Dave Barbour, Peggy Lee) |
| 02:46 | 11/25/1947 | 2607-4 | Caramba! It's The Samba (Irving Taylor, Edward Pola, George Wyle) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr, cl, as), Dave Barbour (con, g), Dave Barbour And His Orchestra, Dave Barbour And The Brazilians (acc), Unknown (f), Dave Cavanaugh (ts), Chuck Gentry (bar), Red Nichols (c), Bill Davis (b), Tommy Linehan (p), Nick Fatool (d), Peggy Lee (v)
NOTES:
This 78 was scheduled for issue in March 1949, but was delayed until October of that year.
| 03:03 | 11/19/1947 | 2495-4 | Hold Me (Little Jack Little, Dave Oppenheim, Ira Schuster) |
| 02:07 | 12/14/1948 | 3566-2 | Someone Like You (Ralph Blane, Harry Warren) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour And His Orchestra (acc), Unknown (acc, str), Peggy Lee (v)
| 03:04 | 11/26/1947 | 2621-3 | So Dear To My Heart (Irving Taylor, Ticker Freeman) |
| 03:12 | 06/03/1949 | 4543-2 | Through A Long And Sleepless Night (Mack Gordon, Alfred Newman) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour (con), Dave Barbour And His Orchestra (acc), Peggy Lee (v)
| 02:25 | 10/07/1949 | 4947-2 | Sunshine Cake (Johnny Burke, Jimmy Van Heusen) |
| 03:07 | 05/25/1949 | 4510 | At The Café Rendezvous (Sammy Cahn, Jule Styne) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Pete Rugolo (arr, con), Dave Barbour All-Stars, Pete Rugolo and His Orchestra (acc), Peggy Lee (v)
| 02:41 | 01/07/1944 | 174-4 | That Old Feeling (Lew Brown, Sammy Fain) |
| 03:00 | 01/07/1944 | 172-2 | Ain't Goin' No Place (Dave Cavanaugh aka Dick Larkin) |
The Capitol Jazzmen (ldr), Dave Dexter, Jr. (pdr), {Head Arrangement} (arr), Barney Bigard (cl), Les Robinson (as), Eddie Miller (ts), Clarence "Shorty" Sherock (t), Nappy Lamare (g), Hank Wayland (b), Pete Johnson (p), Stanley Wrightsman (cel), Nick Fatool (d), Peggy Lee (v)
| 02:47 | 09/23/1946 | 1227-4 | She Didn't Say Yes (Jerome Kern, Otto Harbach) |
| 03:00 | 11/20/1947 | 2558-1 | Them There Eyes (Maceo Pinkard, Doris Tauber, William Tracey) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour And His Orchestra (acc), Unknown (sax, t, tb, g, b, p, d), Benny Carter (as), Herbert "Herbie" Haymer (ts), Dave Barbour (g), Edwin "Buddy" Cole (p), Red Norvo (vib), Peggy Lee (v)
| 02:59 | 12/02/1949 | 5262-3 | When You Speak With Your Eyes (Dave Barbour, Peggy Lee, Rene Touzet) |
| 03:18 | 06/03/1949 | 4542-3 | Goodbye, John (Alec Wilder, Charles Eager) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour (con), The Gualadajara Boys (acc), Other Individuals Unknown (unk), Peggy Lee (v)
| 03:02 | 11/19/1947 | 2494-5 | 'Deed I Do (Walter Hirsch, Fred Rose) |
| 02:35 | 09/13/1950 | 6590-5 | Life Is So Peculiar (Jimmy Van Heusen, Johnny Burke) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau, Johnny Thompson (arr), Dave Barbour And His Orchestra (acc), Unknown (str), Peggy Lee (v)
| 02:42 | 08/20/1941 | CCO 3982-1 | I See A Million People (Una Mae Carlisle, Robert Sour) |
Benny Goodman (ldr), John Hammond (pdr), Bill Savory (eng), Eddie Sauter (arr), The Benny Goodman Orchestra (acc), Benny Goodman (cl), Skip Martin, Clint Neagley (as), George Berg, Vido Musso (ts), Chuck Gentry (bar), Billy Butterfield, Al Davis, Jimmy Maxwell, Cootie Williams (t), Cutty Cutshall, Lou McGarity (tb), Tom "Tommy" Morgan (g), John Simmons (b), Mel Powell (p), Sid Catlett (d), Peggy Lee (v)
NOTES:
In his book Popular Songs Of The Twentieth Century: A Charted History, Edward Foote Gardner lists three versions of "I See A Million People" that, according to his research, received airplay in 1941. This Columbia 78 reissue features two of those three versions. (The remaining version was actually the original one, sung by the composer herself, Una Mae Carlisle.)
| 02:48 | 06/16/1950 | 6148-2 | Lover, Come Back To Me (Oscar Hammerstein II, Sigmund Romberg) |
| 03:07 | 10/06/1949 | 4943-3 | Crazy, He Calls Me (Sidney Keith Russell, Carl Sigman) |
Peggy Lee (ldr), Lee Gillette (pdr), Pete Rugolo (arr, con), Dave Barbour And His Orchestra, Pete Rugolo and His Orchestra (acc), Unknown (f, str, cel), Peggy Lee (v)
| 02:30 | 06/03/1949 | 4541-4 | Neon Signs (Dave Barbour, Peggy Lee) |
| 03:16 | 10/07/1949 | 4948-3 | Run For The Roundhouse, Nellie (Willard Robison, Jack Palmer) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour, Pete Rugolo (con), Pete Rugolo and His Orchestra (acc), Other Individuals Unknown (unk), Peggy Lee (v), The Jud Conlon Singers (bkv)
| 02:52 | 12/02/1949 | 5263-3 | My Small Señor (With The Sonriente Eyes) (Dave Barbour, Peggy Lee) |
| 03:14 | 09/13/1950 | 6591-7 | Ay, Ay, Chug A Chug (Leon Pober) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour (con), Dave Barbour And His Orchestra, The Gualadajara Boys (acc), Peggy Lee (v)
| 02:14 | 02/08/1951 | 7121-12 | Yeah! Yeah! Yeah! (Louis Prima, Milton Kabak) |
| 02:26 | 12/26/1950 | 6916-10 | The Mill On The Floss (Mack David, Jay Livingston) |
Peggy Lee (ldr), Henry J. "Heinie" Beau (arr), Benny Carter (arr, unk), Dave Barbour And His Orchestra, Louis Prima and His Orchestra (acc), Jim Wynn (sax), Other Individuals Unknown (unk), Peggy Lee (v)
| 03:03 | 07/10/1951 | 7295 | Telling Me Yes, Telling Me No (Frank Barbaro, John M. "Jack" Elliot, Larry Shayne) |
Peggy Lee (ldr), Sid Feller (arr, con), Sid Feller and His Orchestra (acc), Buck Clayton, Bernie Privin (t), Warren Covington, Lou McGarity, Buddy Morrow (tb), Barry Galbraith (g), Joe Shulman (b), Joe Lewis (p), William Exiner (d), Peggy Lee, Mel Tormé (v)
NOTES:
Manufactured in the Philippinrs by the Bolinao Electronics Corporation.
| 02:20 | 04/05/1951 | 6283-6 | If You Turn Me Down (Dee-own, Down, Down) (Peter DeRose, Carl Sigman) |
| 02:26 | 04/05/1951 | 6286-4 | It Never Happen'd To Me (Joe Elly) |
Peggy Lee (ldr), Sid Feller (arr, con), Sid Feller and His Orchestra (acc), Other Individuals Unknown (unk), Peggy Lee (v)
| 03:08 | 03/11/1949 | 4095-3 | Bali Ha'i (Oscar Hammerstein II, Richard Rodgers) |
| 03:08 | 04/18/1949 | 4193-3 | I'm Gonna Wash That Man Right Outta My Hair (Oscar Hammerstein II, Richard Rodgers) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour All-Stars, Dave Barbour And His Orchestra (acc), Other Individuals Unknown (unk), Peggy Lee (v)
NOTES:
This and all British singles containing songs from the musical South Pacific (#13556 to #13587) were held back from their expected release in September 1951 to two months later (November 1951).
| 02:08 | May 16, 1951 (8:30 p.m.- 12:30 a.m.; Second Of Two Sessions) | 7566-11 | (When I Dance With You) I Get Ideas (Dorcas Cochran, Lenny Sanders) |
| 02:26 | 07/10/1951 | 7294 | Don't Fan The Flame (Harold H. Dickinson, Jr., John M. "Jack" Elliot) |
Peggy Lee (ldr), Sid Feller (arr, con), Billy May (arr), Sid Feller and His Orchestra, Billy May and his Orchestra (acc), John Hacker, Jules Jacob[s], Jules Kinsler (r), Buck Clayton, Bernie Privin (t), Warren Covington, Lou McGarity, Buddy Morrow (tb), John Graas (frh), Laurindo Almeida, Barry Galbraith, Jose Oliveira (g), Meyer Rubin, Joe Shulman (b), Don Ferris, Joe Lewis (p), Kathryn Thompson (hrp), William Exiner, Joe Guerrero (d), Harry Bluestone, Ben Gill, Henry Hill, Lou Raderman, Mischa Russell, Felix Slatkin (vn), Cy Bernard, Eleanor Slatkin (vc), Peggy Lee, Mel Tormé (v), The Jud Conlon Singers (bkv)
| 03:19 | 11/27/1947 | 2624-1 | While We're Young (William Engvick, Morty Palitz, Alec Wilder) |
| 02:13 | 12/17/1951 | 7775-10 | Would You Dance With A Stranger? (Giovanni D'Anzi, Ray Miller) |
Peggy Lee (ldr), Lee Gillette (pdr), Sid Feller (arr), Dave Barbour And His Orchestra, Sid Feller and His Orchestra (acc), Dave Barbour (g), Hal Schaefer (p), Peggy Lee (v)
| 03:22 | 05/19/1958 | 19145-5-mono | Fever (Otis Blackwell aka John Davenport, Eddie Cooley, Additional Lyrics by Uncredited Author) |
| 02:31 | 05/25/1958 | 19200-7-mono | You Don't Know (Walter Spriggs) |
Peggy Lee (ldr), Dave Cavanaugh (pdr), Peggy Lee (arr, v), Jack Marshall (con), Jack Marshall's Music (acc), Justin Gordon, George Smith (r), Don Fagerquist, Conrad Gozzo, Emmanuel "Manny" Klein (t), Milt Bernhart (tb), Bob Enevoldsen (vtb), Howard Roberts (g), Joe Mondragon (b), Joe Harnell (p), Shelly Manne (d)
NOTES:
I have found no indication that this single was released on 78 in the United States. I am aware of the USA 45 version only. If any readers know of a USA 78 version, I would appreciate hearing from you.
| 03:00 | 09/24/1947 | 2278-3 | Golden Earrings (Ray Evans, Victor Popular Young, Jay Livingston) |
| 02:46 | 11/25/1947 | 2607-4 | Caramba! It's The Samba (Irving Taylor, Edward Pola, George Wyle) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour (con, g), Dave Barbour And His Orchestra, Dave Barbour And The Brazilians (acc), Unknown (f, b, str, p, d), Peggy Lee (v)
| 03:08 | 03/11/1949 | 4095-3 | Bali Ha'i (Oscar Hammerstein II, Richard Rodgers) |
| 02:35 | 09/13/1950 | 6590-5 | Life Is So Peculiar (Jimmy Van Heusen, Johnny Burke) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr), Dave Barbour And His Orchestra (acc), Other Individuals Unknown (unk), Peggy Lee (v)
| 02:16 | 02/08/1951 | 7122-4 | Rock Me To Sleep (Benny Carter, Paul Vandervoort II) |
Peggy Lee (ldr), Benny Carter (arr, unk), Louis Prima and His Orchestra (acc), Jim Wynn (sax), Peggy Lee (v)
| 03:09 | 11/12/1947 | 2454-2 | Stormy Weather (Harold Arlen, Ted Koehler) |
| 03:00 | 11/20/1947 | 2558-1 | Them There Eyes (Maceo Pinkard, Doris Tauber, William Tracey) |
Peggy Lee (ldr), Lee Gillette (pdr), Henry J. "Heinie" Beau (arr, cl), Benny Carter (arr, as), Dave Barbour And His Orchestra (acc), Herbert "Herbie" Haymer (ts), Ray Linn, Rubin "Zeke" Zarchy (t), Unknown (tb, b, d), Dave Barbour (g), George "Red" Callender (b), Edwin "Buddy" Cole (p), Red Norvo (vib), Nick Fatool (d), Peggy Lee (v)
| 02:41 | 01/07/1944 | 174-4 | That Old Feeling (Lew Brown, Sammy Fain) |
| 03:00 | 01/07/1944 | 172-2 | Ain't Goin' No Place (Dave Cavanaugh aka Dick Larkin) |
The Capitol Jazzmen (ldr), Dave Dexter, Jr. (pdr), {Head Arrangement} (arr), Barney Bigard (cl), Les Robinson (as), Eddie Miller (ts), Clarence "Shorty" Sherock (t), Nappy Lamare (g), Hank Wayland (b), Pete Johnson (p), Stanley Wrightsman (cel), Nick Fatool (d), Peggy Lee (v)
| 03:01 | 05/16/1952 | L 6769 | Watermelon Weather (Hoagy Carmichael, Paul Francis Webster) |
Peggy Lee (ldr), Vic Schoen (arr), Vic Schoen And His Orchestra (acc), Bing Crosby, Peggy Lee (v)
| 02:48 | Unknown Date Between Early 1945 And Mid 1946 | RR-9756-3 | It's Anybody's Spring (Johnny Burke, Jimmy Van Heusen) |
| 02:52 | Unknown Date Between Early 1945 And Mid 1946 | RR-9757-2 | On The Atchison, Topeka And The Santa Fe (Johnny Mercer, Harry Warren) |
Bob Crosby (ldr), Bob Crosby (con, v), Bob Crosby And His Orchestra (acc), Sid Bender, Don Brassfield, Robert "Bob" Lawson, Frank Meyers, Clint Neagley (sax), Claude Bowen, Jack Holmes, Jack Mootz, Quig Quigley (t), Walter Benson, Bill Hearn, Warren Smith (tb), Robert "Bob" Bain (g), Edward Gilbert (b), Ernie Hughes (p), Jimmy Felton (d), Peggy Lee (v)
NOTES:
The recording date of these performances is unknown, and ditto for the release date of the 78. Based on my look into the known release dates of other Ara 78s, I would say that March 1945 as the likeliest possibility, but further corroboration is still needed. See also the Ara entry immediately below.
| 02:48 | Unknown Date Between Early 1945 And Mid 1946 | RR-9756-3 | It's Anybody's Spring (Johnny Burke, Jimmy Van Heusen) |
Bob Crosby (ldr), Bob Crosby (con), Bob Crosby And His Orchestra (acc), Sid Bender, Don Brassfield, Robert "Bob" Lawson, Frank Meyers, Clint Neagley (sax), Claude Bowen, Jack Holmes, Jack Mootz, Quig Quigley (t), Walter Benson, Bill Hearn, Warren Smith (tb), Robert "Bob" Bain (g), Edward Gilbert (b), Ernie Hughes (p), Jimmy Felton (d), Peggy Lee (v)
NOTES:
The recording date of "On The Atchison, Topeka And The Santa Fe" is unknown, and ditto for the release date of the 78. Based on my look into the known release dates of other Ara 78s, I would say that March 1945 as the likeliest possibility, but further corroboration is still needed.
Ara #114 was released twice, in partially different versions. The earliest version features Peggy Lee on both sides. This second version substitutes her rendition of "It's Anybody's Spring" with an instrumental by The "Porky" Freeman Trio ("On The Night Train To Memphis"). The reason for the partial re-release of Ara #114, although hypothetical explanations can of course be advanced.
Further complicating matters is the fact that this second version (Lee / Freeman Trio) exists in two variants. The differences between the variants are very minor, however. Font size: one variant uses the same font as the first version of Ara #114, whereas the other variant uses a smaller font. Another difference pertains to the typography of the Warren-Mercer song on the label of the 78s. The large font version gives it as "Atchison, Topeka & Santa Fe" (coinciding, once again, with the first version of Ara #114), whereas the small font version calls it "On The Atchison, Topeka & Santa Fe."